The Nonidentical Identical; or, Notes on Violence and Escape in Basel Abbas and Ruanne Abou-Rahme’s "Oh shining star testify"
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Keywords

Basel Abbas
Ruanne Abou-Rahme
Berlin Biennale
Palestine
Saidiya Hartman
Fred Moten

How to Cite

LICHTZIER, R. (2022). The Nonidentical Identical; or, Notes on Violence and Escape in Basel Abbas and Ruanne Abou-Rahme’s "Oh shining star testify". Regards , (28), 171-178. Retrieved from https://journals.usj.edu.lb/regards/article/view/788

Abstract

A review of Basel Abbas and Ruanne Abou-Rahme’s installation, Oh shining star testify, at the 12th Berlin Biennale (2022) where the artists present Palestinian lives and deaths by disrupting the progressive chronologies of Palestinian’s ongoing obliteration. The essay considers the representation of racist epistemologies through recourse to the work of Saidiya Hartman and Fred Moten, while also situating the work within a lineage of cultural productions that respond to the histories of genocide.

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