No 28 (2022)

Publié 30 octobre 2022

La Rédaction

12

Introduction

Hannah FELDMAN, Kirsten SCHEID

15-28

Whither the Spiritual? Rethinking Secularism’s Legacy in post-Ottoman Art

Dossier thématique

Noah SALOMON

29-49

The School of the One: A Mystery on Canvas

Sarah SABBAN

51-87

Imagining Lebanon with Islamic Art: The 1974 Exhibition at the Nicolas Sursock Museum

Kasper TROMP

89-108

From Classroom to Gallery Floor: A Processual Exploration of Rene Saheb’s (Meta)physical Engagements with Clay

Kirsten SCHEID, Hala SHOUCAIR, Saleh BARAKAT, Samir SAYEGH

109-121

Liberating “Khatt” from Calligraphy: Samir Sayegh on art, religion and spirituality

Hamed YOUSEFI

123-136

History or Project? The Double Life of Islamic Art Since the 1970s

Valerie GONZALES

137-152

"Theorizing the Spiritual-Secular Binary in Modern and Contemporary Art of – and by Artists from – the SWANA Region"

Varia

Lara SABRA

155-167

“My Government Did This:” Exploring the erasure of the Beirut port wall

Comptes rendus

Ruslana LICHTZIER

171-178

The Nonidentical Identical; or, Notes on Violence and Escape in Basel Abbas and Ruanne Abou-Rahme’s "Oh shining star testify"

Nadia VON MALTZAHN

179-192

ALL IS NOT GLITTER Review of “Beirut and the Golden Sixties: A Manifesto of Fragility” Berlin, Gropius-Bau, 25 March – 12 June 2022 Lyon, 14 September – 31 December 2022

Philippa DAHROUJ

193-199

"THIS IS NOT AN EXHIBITION. AND THIS IS NOT BEIRUT". A free-format curatorial platform exploring the space of Beirut in the aftermath of the August 4 explosion

Yara NASHAWATY

201-207

"IN THIS PLACE: REELS OF BEIRUT" Une installation filmique de Hady Zaccak, entre nostalgie et amertume

Joanna RAAD

209-215

HADY ZACCAK: "IN THIS PLACE: REELS OF BEIRUT". La scénographie comme chassé-croisé entre plusieurs espaces/temps