Le corps anamorphosé dans le théâtre marocain : Cas de Capharnaüm de Latefa Ahrrare

Abstract

Given the territorial and cultural differences, some Moroccan plays produce a particular corporeality around which the scene is articulated. We then witness a questioning of ethos, a morality that incorporates postures and dispo­sitions of the body. The show entitled Capernaum Auto-Sirate by Latefa Ahrrare is part of this scenic dynamic peculiar to the construction of corporalities in the context of contemporary Moroccan theater. The performance of this actress raises existential questions through her presence on stage and via a body sub­jected to the process of unveiling.